Art as immigration reform activism

I Want You... Out of the country --at gunpoint!

Art has always been an important and integral part of my life. I can not remember a time when I haven't been inspired by a color, a story, or a particular image on t.v. or housed within the sanctified pages of a picture book. Beautiful things have never failed to capture my imagination.

When I was younger, I was under the impression that art had to be aesthetically pleasing, refined and pleasant to gaze at. It wasn't until I went to Buffalo State College in 1996 that my viewpoints changed slightly. I was majoring in Art Education and took a class with Professor Mary Wyrick. She was an inspiring teacher and challenged my notion that art had to be beautiful. Instead, she made me see that art was about expressing ideas-- first and foremost. A piece of artwork was able to transcend time and place and speak to people on multiple levels all at once. The artist, with a mere flick of a brush could express the same nuance that would take the writer volumes.

Although I realized that art was about ideas, I was still painfully ignorant about the power of art and its ability to challenge ingrained ideas and social mores. Until recently, I had never acknowledged this power. I took a class at Hamilton College last Fall semester entitled Feminist Visual Culture. Through viewing works by artists such as: Judy Chicago, Ghada Amer, Ana Mendieta, Cindy Sherman, Shirin Neshat, and Carolee Schneemann, I realized that art had the power, over time, to create subtle shifts in social consciousness.

Feminist art is not about being "pretty", "conforming" or "safe". Instead, much of it is meant to be "challenging", "controversial" and "activist". This is what makes it dynamic and a catalyst for social and political change. People can become complacent, comfortable and desensitized to their environment: even if that environment is stagnant, corrupt and unhealthy. It takes a shock to the system to get them to wake up.

With that goal in mind, I have started to design a series of art pieces centered around immigration reform. Eventually I will have enough works to show in an exhibit. The two pieces at the top of this page are part of this series. I cannot think of anything more controversial than using the iconic images of Uncle Sam and Lady Liberty to illustrate the irony and discrimination of contemporary U.S. immigration policies.

I hope my writings and artwork will inspire a change in someone's thinking regarding immigrants rights and the need for immigration reform-- and as a result-- changes will be made . This hope gives me power and optimism and sustains me throughout this whole ordeal. Without this hope there is nothing.